SXSW 2010: Getting Started

Good morning from Austin! The convention center is slowly starting to fill up on this first full day of the film portion of SXSW. The time-honored ritual of picking up one’s badge was fairly painless at around 9am, and the lines are still fairly short and moving quickly as I write this, so I’d highly recommend getting in line as soon as possible to avoid waiting for long periods – another time-honored ritual that we’d rather not observe.

Next, savvy festival goers are heading up to the 4th floor to get in line (see, we’re not kidding about the lines – consider it training for the rest of the week) for their daily SXXPress pass; you select a film or panel on today’s schedule, and have a chance to get a front-of-the-line pass for that film. Each event has a limited number of these passes, so again, get here early, and have a second choice in mind in case your first choice is already full. Today’s big SXXPress draw is a very limited number of the passes for tonight’s Predators first look. They are being given out at intervals – the next batch of 15 will be available at 1:30pm on a first-come, first-served basis.

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A Preview: 2010 SXSW Film Festival

SXSW Film FestivalStarting this Friday, the creative maelstrom known as SXSW overtakes Austin, Texas. For 10 days, filmmakers, internet and gaming gurus and musicians, and fans of all of the above, make their way to the most welcoming town in Texas to learn more about what’s next in their respective fields.
We’re heading to Austin for the SXSW Film festival, and will be sharing what we’re seeing and hearing in our SXSW 2010 section. We’ll be tweeting from the streets, blogging after screenings, and taking photos of various panels and events, so please join us for what is sure to be an extraordinary week.

There are a handful of big summer releases premiering or sharing a sneak peek in Austin, starting with two whoppers on Friday night: Matthew Vaughn shares his adaptation of the Mark Millar comic book series Kick-Ass, and Robert Rodriguez gives his hometown a first look of Predators along with director Nimrod Antal. Saturday, screenings of Elektra Luxx and 13 are certain to be big draws, and Monday’s MacGruber premiere may be the icing on the cake, despite the ongoing legal battle with the creators of MacGyver.

While these big films definitely help build buzz for the still growing and evolving festival, it’s the smaller films that bring the sense of laid-back exploration that I’ve always associated with this particular festival. Accordingly, a film like Jean-Pierre Jeunet’s Micmacs was added to my ‘must-see’ list quite early on, as a Jeunet film promises a creative, amusing, and authentic evening spent. Right behind that on my list is Steven Soderbergh’s And Everything Is Going Fine, his detailed portrait of writer/monologist/actor Spalding Gray, whose influential life in the theater and on the page certainly deserves the examination that Soderbergh will provide. And though it’s later in the festival run, I have a gut feeling that Aaron Schneider’s Get Low, featuring the one-two casting punch of Robert Duvall and Bill Murray, may just quietly steal away with the most post-festival buzz.

Then, there’s a whole batch of films that, while not exactly premieres, seem to be stirring up the most news coverage of all: the documentary The White Stripes: Under Great White Northern Lights, while billed as a premiere, has been quietly screened in select cities already; The Girl With a Dragon Tattoo was showcased at the Palm Springs International Film Festival in January, but this adaptation of the popular Stieg Larsson novel is widely anticipated. Sundance winner Winter’s Bone will also put in an appearance, as will the Sundance-launched biopic The Runaways.

Other films piquing my curiosity? Mr. Nice, starring the completely underrated Rhys Ifans as a notorious drug kingpin; Leaves of Grass, co-starring Edward Norton… and Edward Norton; Barry Munday, featuring the intriguing pairing of Patrick Wilson and Judy Greer; The People vs. George Lucas, the feature-length documentary/dissection of all that’s wrong with Lucas’ Star Wars; and Lemmy, the rock doc delving into the life and times of Motörhead’s incomparable Mr. Lemmy Kilmister.

Honestly, there are so many more films I’d like to see that it would take a War and Peace-length blog entry to detail them, along with some warp speed self-cloning upon arrival in Austin, to see them all. Here’s the full list of films screening at SXSW; which films would make it to your ‘must-see’ list? Are there specific films/conversations/panels that you’re most excited to hear about? Share them in the comments below.

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In Memoriam: Corey Haim, 1971-2010

Corey Haim, circa 1985

We were saddened by the sudden passing of ’80s teen idol Corey Haim earlier today.

Most people will remember Haim as Sam Emerson, the plucky younger brother to Jason Patric’s Michael in “The Lost Boys,” or as the shy, big-hearted title character in “Lucas.” Indeed, Haim played a significant role in so many people’s childhoods and adolescence due to his frequent appearances in magazines such as Tiger Beat and Seventeen, almost always at the side of his best friend (at the time) Corey Feldman.

Sadly, we were also privy to a recent glimpse at Haim and his struggles with addiction, as well as the strain on his friendship with Feldman,  in A&E’s hit reality series “The Two Coreys.”

You can view photos from throughout Haim’s career in our memorial photo gallery. We also have videos from season two’s episodes from “The Two Coreys” linked here.

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New on DVD and Blu-ray: March 9, 2010

Up in the Air on DVD and Blu-ray A few Academy Award nominees hit the shelf this week:

Up in the Air: George Clooney, Vera Farmiga and Anna Kendrick’s performances bring Jason Reitman and Sheldon Turner’s screenplay to life in a way that’s both brutally honest and yet somehow endearing. How is that possible? We’re not totally sure, but it happens here.

Precious: Based on the Novel “Push” by Sapphire: The little-indie-that-could from last year’s Sundance, it changed its name from Push to Precious and gained some high-profile fans (Ms. Winfrey, we’re looking at you) before growing into an indie powerhouse that charmed critics, fans and awards season voters alike.

Planet 51: The Rock assumed cartoon form to headline last summer’s clever humans-as-alien-invaders tale of an astronaut who lands on the wrong planet, scares the inhabitants with his strange human appearance, and must depend on the kindness of one of those citizens to try and get back home.

Capitalism: A Love Story: Michael Moore’s latest documentary returned to his old stomping grounds, scrutinizing corporations, focusing this time on how unregulated capitalism contributed to financial meltdown. This is all done is Moore’s patented, no-holds-barred fashion. Timeliness was key here, as he aimed to channel the public’s growing frustration with banking bailouts into action on the individual and political fronts. Was he successful? Cannot predict now. Ask again later.

See more of this week’s releases in our DVD & Blu-ray section.

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Did Oscar Snub Farrah?

Farrett Fawcett. Copyright 1978 by Bruce McBroom.

Yours truly would like to begin by letting the Academy of Motion Picture Arts and Sciences (AMPAS) know that we understand your quandary today. Behind those cold gold statues, behind the lengthy telecasts and spirited pre-game run-up to every Oscars ceremony, is a gaggle of human beings doing their best to make it all work. And as the public occasionally needs to be reminded, humans are imperfect.  We all make mistakes.

The difference is how you handle making those mistakes. Generally, one apologizes quickly and profusely if it’s a major screw-up. Like, say, forgetting to include Farrah Fawcett, one of the most recognizable stars of the ’70s and ’80s, in Oscar’s “In Memoriam” segment.

Full disclosure, AMPAS:  I didn’t really notice the exclusion last night either. Sorry, readers.  (See how easy that was?)

Television is my thing, you see. As such, I was perfectly content with Emmy’s memorial for the actress: A heartfelt montage of Fawcett’s most iconic small-screen roles that included scenes from “The Burning Bed,” “The Six Million Dollar Man” and “Charlie’s Angels,” as well as footage of Farrah, the person behind the icon.

Neither am I one of those viewers who combs through the “In Memoriam” segment.  But most importantly,  I am not on the committee in charge of compiling the list for Oscar’s “In Memoriam” feature.

It’s not hard to understand why the public’s shock at Fawcett’s omission is lighting up the media today. Obviously Fawcett’s longtime partner Ryan O’Neal is ticked…but according to her tweets, so is Star Jones. The venerable  Roger Ebert tweeted a request for an explanation. We thought it was a given by now that to be on the wrong side of Roger Ebert is a bad thing, so one would think that the imperfect humans at AMPAS would be issuing their mea culpas quickly and furiously.

But…’fraid not. In fact, the only thing that AMPAS spokeswoman Leslie Unger would tell E! News in this article was that is was not an oversight. “No matter how carefully and how conscientiously people address who is included,” Unger told E!, “there are people who just simply can’t be.”

Here’s the thing, though:  While it’s true that, as a number of TV specialists have pointed out online in social networking forums, Fawcett was primarily known as a TV icon, she did star in a number of well-known films. We’re not just talking about her two big Runs a la “Cannonball” and “Logan,” either. She had the lead in “Extremities,” and major supporting roles in Academy Award-nominated film “The Apostle” and “Dr. T and the Women.”

Look at “Dr. T’s” poster — that’s her face, second down on the right-hand side. That’s her name at the top, among a list of co-stars that includes Helen Hunt, Liv Tyler, Kate Hudson, and Laura Dern.  One would think that  during their evaluation as to who makes the list and who doesn’t, the AMPAS folks would have taken the time to look at the candidate’s credits on a certain website — or even their own member rolls. As The Wrap pointed out, Fawcett is an Academy member.  Michael Jackson, who died within hours of Fawcett’s passing and made “Memoriam’s” cut, is not. The Academy also found room for a publicist, but not Fawcett.

It bears pointing out that this is not the first time the Academy has omitted actors in its annual remembrance segment. Two years ago the Academy left troubled actor Brad Renfro out of In Memoriam; Renfro died a week before Heath Ledger, who was prominently featured.  According to The Wrap, AMPAS’s failure to acknowledge Dorothy McGuire’s passing in 2001 almost led to the Board of Governors doing away with the feature completely.  Bea Arthur also happened to be absent from Sunday’s roster. Granted, her film roles were fewer than Fawcetts, but she did co-star in the 1974 big-screen version of “Mame.” That little film that starred Lucille Ball.

Do you think the Academy’s explanation was suitable, or should it apologize for Farrah’s snub?

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Putting the “Hurt” on “Avatar”: A Quick Look at the 82nd Annual Oscars

Kathryn Bigelow, director of "The Hurt Locker." Photo courtesy of Wire Image.

Depending on where you stand in the battle between brave, war-hardened soldiers and the noble Na’vi, the 82nd Annual Academy Awards telecast was either capped by a great victory or a massive upset.

“The Hurt Locker” won the night, defeating “Avatar” for Best Picture and creating history by making Kathryn Bigelow the first woman to take home a Best Directing Oscar. To think it only took 82 years!

If you’d like a sense of how long of a wait that is…well, you only had to watch this year’s Academy Awards telecast from beginning to end.  Hype and oddsmaking aside, this had to be one of the dullest Oscar nights in recent memory, and we reached that opinion long before it ran more than half an hour overtime.

Certainly the 2010 Oscar telecast had its moments; the tribute John Hughes was catnip to all the children of the ’80s tuning in, and it was legitimately touching, as was the In Memoriam montage set to a live performance by James Taylor.  Neil Patrick Harris’s surprise opening number was a winner (if not le…gen…wait for it…), but rare is the time when NPH isn’t a welcome addition to our TV screens.  (…dary.)

The problem was almost everything else.  Oscar’s ode to horror films, for example, inexplicably included a frame from “Edward Scissorhands”.  The thing felt strangely out of place. (And a note to Kristen Stewart:  If you’re going to present at Hollywood’s biggest event, can you please muster up a smidgen of faux cheer for a couple of hours? You’re an actress, for crying out loud, not an undertaker’s wife.)

(P.S.  We apologize to any undertaker’s wives we might have offended with that statement.)

(P.P.S.  But seriously Kristen…leave the sneer at home with your jeans next time.)

Then there were our hosts.  No need get your pants in a twist — Alec Baldwin and Steve Martin did just fine.  But didn’t the idea of Alec Baldwin and Steve Martin hosting sound stupendous at first blush?  The reality fell quite short of those expectations. From what we know of these men and their comedic abilities, one would never think that the term “workmanlike” would describe their tag-team hosting stint. Yet, that’s what we got Sunday night. Martin and Baldwin hit their marks and made us laugh at all the right moments, but there were no surprises. Nothing off the book or unexpected.   Their joint opening monologue was pleasant, but this is Oscar night. Oscar demands all things to sparkle.

Alas, most of the night’s glitter was provided by Neil Patrick Harris’s performance blazer and the bodice of Zoe Saldana’s gown. We were promised magic, and were left bored out of our skulls.  We wanted extraordinary fashion, or even some equivalent of Bjork wearing a comatose swan on the Red Carpet, but the stars and their stylists behaved themselves.  We wanted to be wowed by jaw-dropping art direction and choreography worthy of Busby Berkeley’s legacy, but instead, we were served a hot mess of interpretive poppin’ and lockin’.  (Why, Adam Shankman…why?)

All of that was window dressing to the main event: “Avatar” vs. “The Hurt Locker” and the saltier undercard, director James Cameron versus his ex-wife Kathryn Bigelow. When the dust cleared and “The Hurt Locker” and Bigelow were declared the winners,  a major blow was landed on behalf of indie filmmakers everywhere.

The final trophy count:  “Hurt Locker” 6, “Avatar,” 3.  It was a feel-good victory, no question. Nevertheless, we will always be haunted by the notion that we never got to see James Cameron make a bombastic, quoteworthy thank you speech delivered completely in Na’vi.

But that’s the way  all Oscar telecasts go;  the victories are either just and deserved, or complete travesties.  It’s all in how you look at it. Tomorrow, there will be many celebrating Mo’Nique’s victory or sniffing that her Best Supporting Actress win was overrated; there will be Sandra Bullock fans who will be in the position of defending her Best Actress trophy to those who believe Meryl Streep was robbed.

As for Jeff Bridges winning Best Actor and Christoph Waltz dancing off with Best Supporting Actor…it’s a fair guess most people are just fine with those wins.

What did you think of the show?  Cast your vote in our day-after Oscar poll, and check out our full list of 2010 nominees at winners here.  Miss something? You can find scores of photos here, or click here for a full recap of the show.

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Things I Learned About Oscar Yesterday (3/5)

You Need to Restrain Your Dragon: According to the L.A. Times a businessman has been arrested and is being held on a million dollar bail for affixing an illegal, eight-story “supergraphic” to the building he partially owns. The billboard promoted Dreamworks Pictures’ How to Train Your Dragon. The building in question is the historic Hollywood First National Building on the corner of Highland and Hollywood Blvd, the eastern backdrop for the Academy Awards.

How to Train Your Dragon Supergraphic

The Times goes on to tell that supergraphics, large digital displays or vinyl billboards posted on the sides of buildings, an advertising practice that has gone on for years, were banned as part of a citywide ordinance last August. Just last week the city attorney filed a lawsuit involving over a dozen supergraphics scattered across the city. In seeming defiance of that filing a few days later the vinyl wrap was attached to the 1928 building.

Officials cited several concerns over public safety as the main reason for removing unpermitted supergraphics because the huge sheets of vinyl could fall on cars and people if not properly secured. Since the signs lack proper permitting and inspection they have not been certified as safe. Officials also noted that supergraphics often cover many windows, making it difficult for firefighters to enter during an emergency.

The incidental coverage and impressions from the Academy Awards ceremony may have prompted the gamble as some industry experts estimate that over $100,000 may be made for a month’s worth of supergraphic exposure.

Regardless the supergraphic has been removed.

Two Views Looking North Up Highland

Before and After Photo Looking North Up Highland

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Things I Learned About Oscar Yesterday (3/5) While At the Spirit Awards:

Jeff Bridges Is Even Cooler Than You Thought: Outside at the Spirit Awards almost all the celebs moved from their limos through the chilly night air to the red carpet line (some, like Christopher Plummer, who understandably at his age by-passed the red carpet altogether). A few, however, made a point of getting over the fan section and signing autographs. There were some first-timers, like Mia Wasikowska and Carey Mulligan, who took the time to stop but might have just been savoring their new-found fame. There were some who may have been appreciative of her fans or may have been doing a mite bit of PR repair, like Mariah Carey. And then there was the Dude. Jeff Bridges spent the most time of anyone signing autographs and bantering with the fans. And he looked happy doing it. And mind you, the press really wasn’t around, they were mostly inside the red carpet tent. The Dude Abides.

Jeff Bridges signing autographs outside the Spirit Awards

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5 Things I Learned About the Oscars Yesterday (3/4/2010):

  1. When anyone in L.A. is trying to convey a hypothetical yet likely scenario of a winner they say, “So, imagine that Jeff Bridges has just won…”
  2. I find this ironic, since many people consume films in malls, that the Oscars take place, essentially, in a really fancy mall. The Hollywood and Highland Center includes the Kodak Theatre (which uses the snooty British spelling) where the awards have been held since 2001, but the stars are walking past a “Build a Bear” sign to get into the event.
  3. The Hollywood and Highland Center pays homage to the great epics of D.W. Griffith and the grandeur of old Hollywood by recreating the elephants and sets from Griffith’s Intolerance. And there is a Starbucks there.
  4. On February 9, 1960 Joanne Woodward was the first person to get a star on the Walk of Fame. Not to take anything away from Ms. Woodward but I was surprised it was her and I was laboring under the impression that the Walk of Fame was much older than that, perhaps conflating them with the cement impressions.
  5. For the first time this year the award winners won’t have to give their Oscar back to the Academy to have their nameplates attached and returned at a later date.  An Oscar Engraving Service area will be available to personalize their statuette during the Governors Ball post-party…just like at the mall!!

    by Keith Simanton

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Countdown to Oscar Weekend!

Oscar weekend is almost here!  We wanted to give you an update on all the ways that we’ll be covering both the Oscars and the Independent Spirit Awards.

On Friday night, check the site for the red carpet photos and a complete list of winners from the Spirit Awards. Then on Sunday for the Oscars, we’ll do a homepage takeover with up-to-the-minute winners and photos.

For both shows, we will also post award coverage on Facebook and you can follow us on Twitter: @IMDb for award results, and @IMDbLive for on-the-scene commentary  from both Oscars and Spirit Awards!

Make sure you check out our Road to the Oscars section, which is complete with photos of the nominees, and trailers and clips from all of your favorite nominated films! And don’t forget to print our downloadable Oscar ballot, so you can keep track of the winners during the show.

Have you voted in our Oscar poll? The poll closes today at 8pm PST, so make sure you cast your vote!

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